Reflecting the political climate of the time, including civil rights, anti-war sentiments, and the quest for personal freedom.
Psychedelic funk is a genre that emerged in the late 1960s and reached its peak during the 1970s. It combines elements of psychedelic rock and funk, resulting in a distinct sound characterized by groovy basslines, complex rhythms, and mind-bending effects.
People – Freddie Mack’s Extravaganza In Sound
Freddie Mack’s “People,” from the 1969 album Freddie Mack’s Extravaganza In Sound, is a vibrant soul and funk masterpiece. Bursting with energy, this track is driven by an infectious groove and dynamic brass arrangements. Reflecting the innovative spirit and exuberant energy of the era.
Argument’s – Charles Hilton Brown
Charles Hilton Brown’s “Argument’s,” released in the early 1970s, is a compelling jazz-funk fusion track. This song features complex rhythms and a driving beat that characterize the early 70s jazz and funk scene.
Eleanor Rigby – Ernie Garrett, Karin Stigmark, Lotta Hedlund
In the late 1960s, Ernie Garrett, Karin Stigmark, and Lotta Hedlund delivered a soulful version of The Beatles’ “Eleanor Rigby.” This version transforms the classic rock song into a soulful ballad, showcasing the era’s experimental approach to pop and soul. It resonates deeply with both Beatles fans and soul music lovers, reflecting a unique blend of rock and soulful reinterpretation.
Hey Big Brother – Rare Earth
Rare Earth’s “Hey Big Brother,” is a powerful rock anthem with soulful influences. The track features socially conscious lyrics and an energetic performance that captures the essence of early 70s rock and soul fusion.
Reality – Wes Henderson
Wes Henderson’s “Reality,” released in 1973, is a soulful track with smooth vocals and reflective lyrics. The mellow instrumentation and emotive delivery capture the heart of 70s soul music.
Don’t Come Round Here No More – Mark Putney
Mark Putney’s “Don’t Come Round Here No More,” recorded in 1974. The track showcases Putney’s unique vocal style and embodies the mid-70s soul sound with its rich groove and emotional depth. It reflects the personal and introspective nature of 70s soul, making it a memorable example of the genre’s focus on heartfelt expression.
I Want to Dance, Dance, Dance – Freddi & Henchi and the Soulsetters
Freddi & Henchi and the Soulsetters‘ “I Want to Dance, Dance, Dance,” from the 1973 album Dancin’ All Over the World, is a high-energy funk track that embodies the spirit of 70s dance music. With its infectious rhythm, vibrant brass section, and upbeat tempo, the track is a dancefloor favorite.
Cosmic Blues – Eddie Fisher
Eddie Fisher’s “Cosmic Blues,” from the 1969 album The Third Cup. A mesmerizing journey through spacey, psychedelic soundscapes and soulful blues. Fisher’s expressive guitar work and emotive vocals create a unique blend of genres that is both captivating and deeply moving.
Slums of the City – The New Establishment
“Slums of the City” by The New Establishment, recorded in 1971, is a funk track with impactful, socially conscious lyrics. The track’s powerful lyrics and hard-hitting instrumentation reflect the struggles and resilience of those living in the city’s underbelly.
Funky Washing Machine – World Wonders
World Wonders’ “Funky Washing Machine,” released in 1972, is a playful and inventive funk track.
It’s Her Turn To Live – Smokey Robinson
Smokey Robinson’s “It’s Her Turn To Live” is a soulful ballad that highlights his smooth, velvety voice and poignant songwriting. The song’s heartfelt message and lush orchestration make it a standout track in his illustrious career. From the 1975 album A Quiet Storm.
Who Can I Turn To – The People’s Choir Of Operation Push
“Who Can I Turn To” by The People’s Choir Of Operation Push (1969) is a moving gospel track with a powerful message. The choir’s powerful harmonies and emotional depth bring a profound sense of hope and solace to the listener.
Love Your Brother (Sanctified Version) – Weldon Irvine
Showcasing Irvine’s unique style. From 1976.
Celestial Blues – Andy Bey
Andy Bey’s “Celestial Blues,” from the 1973 album Experience And Judgment, blends jazz and soul influences with a cosmic, experimental edge. The track features intricate arrangements and Bey’s evocative vocals, offering a transcendent listening experience. “Celestial Blues” captures the era’s exploration of new musical territories, providing a unique mix of jazz and soul that appeals to fans of both genres.
Stop Look Listen! – Primevil
Primevil’s “Stop Look Listen!” (1974) is a vibrant blend of funk and soul.
I’ve Got the News – The Beginning Of The End
“I’ve Got the News,” from The Beginning Of The End’s 1976 album Beginning Of The End, is a funky track with an infectious groove. Featuring vibrant instrumentation and catchy choruses, the song represents mid-70s funk at its best. “I’ve Got the News” is a memorable piece of funk music, characterized by its dynamic rhythm and engaging melodies, making it a standout in the genre.
The Playlist
- People – Freddie Mack’s Extravanganza In Sounds
- Argument’s – Charles Hilton Brown
- Eleanor Rigby – Ernie Garrett, Karin Stigmark, Lotta Hedlund
- Hey Big Brother – Rare Earth
- Reality – Wes Henderson
- Don’t Come Round Here No More – Mark Putney
- I Want to Dance, Dance, Dance – Freddi & Henchi and the Soulsetters
- Cosmic Blues – Eddie Fisher
- Slums of the City – The New Establishment
- Funky Washing Machine – World Wonders
- It’s Her Turn To Live – Smokey Robinson
- Who Can I Turn To – The People’s Choir Of Operation Push
- Love Your Brother (Sanctified Version) – Weldon Irvine
- Celestial Blues – Andy Bey
- Stop Look Listen! – Primevil
- I’ve Got the News – The Beginning Of The End
- Stick It in Your Ear Hole – Eddie Mobley
- Keep Your Faith Baby – Chuck Bridges And The L.A. Happening
Reflecting the political climate of the time and the quest for personal freedom. by Funkologie on Mixcloud
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