From the iconic Northern Soul shop to the legendary Wigan Casino, get ready to explore a time capsule of soul-stirring beats and timeless tunes
Let’s unravel the secrets of this captivating Northern Soul scene together – are you ready to dance into the New Year?
Why is it called Northern Soul?
Northern Soul gets its name from the geographical origin of the music and subculture. Originating in the northern regions of England, particularly in cities like Manchester, Blackpool, and Wigan, Northern Soul emerged in the late 1960s and early 1970s. The term “Northern Soul” was coined to differentiate this specific genre of soul music from the mainstream Motown sound popular in the United States.
Northern Soul music was characterized by its fast tempo, heavy beat, and lesser-known tracks that were mostly overlooked by mainstream audiences. The Northern Soul scene became known for its all-night dancing events at clubs and venues in the North of England, attracting a dedicated following of fans who were passionate about discovering and dancing to rare soul records.
The Champion (Part.1) – Willie Mitchell
Willie Mitchell‘s “The Champion (Part.1)” from 1968 showcases his funk-soaked instrumental prowess. This Memphis soul classic, found on the album “On Top”, highlights Mitchell’s talent for creating infectious grooves that shaped an entire era.
Manifesto – James Lewis
In 1973, James Lewis made a bold statement with “Manifesto” in 1973. Part of his self-titled debut, this powerful funk anthem combines socially conscious lyrics with a hard-hitting rhythm section, capturing the spirit of 70s protest music.
It’s All Over Me – Otis Blackwell
Otis Blackwell illustrates the transition from R&B to early soul with “It’s All Over Me” from 1960. This track from “Singin’ The Blues” showcases Blackwell’s songwriting genius that later influenced rock ‘n’ roll legends.
Shotgun – Jr. Walker & The All Stars
Released in 1965, became an instant Motown classic. This saxophone hit from the album “Soul Session” epitomizes the energetic, danceable sound that dominated soul music in the mid-60s.
You Can’t Hurry Love – The Supremes
A timeless pop-soul masterpiece from 1966, can be heard on “The Supremes A’ Go-Go”. This Holland-Dozier-Holland composition showcases the group’s harmonies and Diana Ross’ vocals to their best advantage.
I Get The Sweetest Feeling – Jackie Wilson
Jackie Wilson‘s “I Get The Sweetest Feeling” from the album “(Your Love Keeps Lifting Me) Higher and Higher” shows his incredible vocal range. This soulful ballad highlights Wilson’s ability to convey deep emotion through his vocals.
I Would If I Could – The Sweet Three
I’m Where It’s At – The Jades
The Jades, a declaration of self-confidence. With a driving bassline and powerful horns, this upbeat track epitomizes the evolving sound of late ’60s R&B.
King Hustler – The Moods
“King Hustler featuring The Moods” by The Moods (1975) combines a smart lyric with a groovy instrumental backing. This funk-soaked story song from their album of the same name paints a vivid picture.
Ain’t That Peculiar – George Tindley
Who breathes new life into Marvin Gaye’s classic? George Tindley‘s version of “Ain’t That Peculiar” from 1972, Tindley’s unique vocal interpretation puts a new spin on this Motown classic.
Shake Your Booty – Bunny Sigler
Nothing But A Heartache – The Flirtations
The Flirtations is a prime example of British soul. This Deram Records release combines American soul influences with a distinctly European production style.
Backfield In Motion – Live – Mel & Tim
“Backfield In Motion” remains a beloved track that showcases Mel & Tim‘s talent and their contribution to the soul genre.
B-A-B-Y – Carla Thomas
Carla Thomas is a shining example of Memphis soul. This Stax Records hit from the album “Carla” showcases Thomas’ sweet vocals and the impeccable music of the legendary Stax House Band.
Shing-a-Ling – The Cooperettes
The Cooperettes’ “Shing-a-Ling” (1967) is a joyous celebration of dance. This uptempo song embodies the fun-loving spirit of 60s soul music and encourages listeners to get on the dance floor.
Purple Haze – Johnny Jones, The King Casuals
Johnny Jones and The King Casuals deliver a brilliant soul-rock cover version of “Purple Haze” (1969). Their reinterpretation of Jimi Hendrix’s classic shows the versatility of late 60s R&B.
Get Ready – The Temptations
Tainted Love – Gloria Jones
Gloria Jones‘ original version of “Tainted Love” (1964) is a classic of Northern Soul. This composition by Ed Cobb, later popularized by Soft Cell, showcases Jones’ powerful vocals and the timeless appeal of the song.
Baby Boy – Fred Hughes
Fred Hughes‘ “Baby Boy” (1967) is a gentle soul ballad that touches the heart. This song showcases Hughes’ soulful vocals and the lush orchestration that was typical of late 60s soul music.
The Playlist
- The Champion (Part.1) – Willie Mitchell
- Manifesto – James Lewis
- It’s All Over Me – Otis Blackwell
- Shotgun – Jr. Walker & The All Stars
- You Can’t Hurry Love – The Supremes
- I Get The Sweetest Feeling – Jackie Wilson
- I Would If I Could – The Sweet Three
- I’m Where It’s At – The Jades
- King Hustler featuring The Moods – The Moods
- Ain’t That Peculiar – George Tindley
- Shake Your Booty – Bunny Sigler
- Nothing But A Heartache – The Flirtations
- Backfield In Motion – Live – Mel & Tim
- Never Say No To Your Baby – The Hit Pack
- B-A-B-Y – Carla Thomas
- Shing-a-Ling – The Cooperettes
- Purple Haze – Johnny Jones, The King Casuals
- Get Ready – The Temptations
- Tainted Love – Gloria Jones
- Baby Boy – Fred Hughes